Finishing-span upscaling for covers, store measures and print. Detail rebuilt at delivery size, originals kept, 61 credits a job.
Per-job credit pricing is shown before you confirm. The original is always kept.
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Frames are made at a working size, and some destinations ask for more — a storefront minimum, a cover displayed large, a print that will be held in someone’s hands. The image upscaler rebuilds a finished frame at higher resolution, reconstructing detail rather than stretching what is already there. It runs on the image_upscaler model at 61 credits a job, shown before you confirm. It is the last span of the route: applied to keepers, at the end, and to nothing else.
The discipline is timing. Every earlier tool works better at working size, where changes are cheap and mistakes are small. Upscaling early buys nothing and costs the most expensive credits in the studio; upscaling a frame that later gets edited means paying the toll twice for one crossing. Finish the frame completely — edits, swaps, grading — and only then send it across at full size, once.
Edits, swaps and grading are done at working size, where every change is cheap and every mistake is small.
One pass over the delivery candidate. Judge the result at full size, not as a thumbnail — the thumbnail forgives everything.
The working file and the delivery file rest side by side. Platforms change their measures; your masters should not have to.
“The pack cover: the bridge-deck hero frame, edited, graded and approved, needed at storefront size for the listing everyone meets first.”
A finished keeper, a real size requirement, an audience that will look closely. This is exactly the crossing the toll exists for.
“A daily feed frame, still awaiting a wardrobe edit, upscaled ‘just in case’ the set performs well.”
The edit will change the frame, and the upscale will have to be paid again. Working size is the right shore until the frame is final.
| It does well | It cannot repair |
|---|---|
| Crispens edges, fabric and hair | A face that was wrong at working size |
| Meets a storefront’s minimum dimensions | Compression damage already baked into a source |
| Lets large previews and covers hold | Composition or light — those are the editor’s work, earlier |
Heroes and pack fronts are looked at closely. They have earned the finishing pass; feed thumbnails have not.
Marketplaces with minimum dimensions receive files that pass plainly, without padding or tricks.
Posters and merchandise punish small files. Upscale the specific frames you sell in print, and only those.
61 credits per job on the image_upscaler model, shown before you confirm. It is a finishing cost — spend it on keepers only. The daily check-in’s 6 free credits accumulate toward it when a cover is coming.
No. The upscaled file is a delivery version. The working file rests as it was.
It sharpens what exists. It does not repair a wrong face, wrong hands or wrong light. Those are fixed earlier, with the editor.
Covers, heroes, store files with dimension minimums, and anything sold in print. Ordinary feed frames rarely repay it.
To the destination’s measure, and no further. Beyond it, credits and storage buy nothing visible.
Drafts, edits, animation and finishing share one credit balance and one private library. Start with the piece you need today.
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