Finishing-span video upscaling for paid tiers and masters. video_upscaler at 101 credits, shown before you confirm.
Priced by duration and target resolution, shown before you confirm. Failed jobs refund automatically.
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The video upscaler takes a finished clip to a higher resolution, rebuilding detail frame by frame, so work made at a working size can meet the measure of a storefront or a large placement. It runs on the video_upscaler model at 101 credits a job, shown before you confirm, and failure refunds itself. Like its still counterpart, it is the end of the route — a delivery crossing, never a rescue.
Clips punish impatience more than stills do, because every weakness repeats thirty times a second. A face that drifts at working size will drift larger; a grade that was nearly right will be nearly right at length, in public. So the order of operations matters more here than anywhere else in the studio: lock the cut, finish the casting, settle the grade, and only then pay for size. The toll is fair. Paying it twice for the same clip is a choice, and an avoidable one.
Casting, cuts and grade are final at working resolution, where changing your mind is still cheap.
Aim at the destination’s actual requirement. Beyond it lies cost without visibility, and this studio does not buy invisibility.
Faces and the edges of motion, across the whole clip — especially at turns and changes of light, where weakness shows first.
“The flagship teaser, cut locked and grade settled, headed for a paid tier that advertises high definition.”
Nothing about the clip will change after this pass, and the placement will show every pixel it is given. The toll buys a real arrival.
“A rough cut with two scenes still to be re-cast by face swap, upscaled early so the file ‘feels finished’.”
Feelings are expensive at 101 credits. The swaps will alter the frames, the upscale will be discarded, and the toll will be paid twice.
A placement that advertises high definition receives a file that honestly meets the word.
A teaser performing beyond the rest of the catalogue earns a delivery pass for larger placements.
A high-resolution master of the flagship scenes, kept while the working catalogue stays lean.
| Lever | Effect | Practice |
|---|---|---|
| Clip length | Longer clips carry more frames to rebuild | Upscale the shipped cut, never the rushes |
| Target resolution | Higher measures cost more effort | Match the placement’s measure exactly |
| Timing | The toll is the same whenever it runs | Run it last, when nothing else will change |
101 credits per job on the video_upscaler model, shown before you confirm. Failed jobs refund automatically. Save the daily check-in credits toward it and the toll on a flagship clip gets closer every week.
No. It raises resolution. It does not raise the quality of a performance, a casting or a light. Those are settled earlier, at working size.
No. Teasers and ordinary feed clips rarely repay it. Keep it for paid tiers, for winners, and for masters.
No. It produces a delivery version that rests beside the working file.
Faces and motion edges at full size, across the whole clip — at turns and changes of light above all.
Drafts, edits, animation and finishing share one credit balance and one private library. Start with the piece you need today.
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